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Into Joy From Sadness
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You've selected:
Into Joy From Sadness
Sheetmusic to print
10 sheet music found
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1
Into Joy From Sadness
Into Joy From Sadness
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Organ
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ADVANCED
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J
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Estes Music Publishers
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Into Joy From Sadness
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Estes Music Publishers
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SheetMusicPlus
Organ - Level 5 - SKU: A0.792884 Composed by J. Richard Dixon. Arranged by Estes Music Publishers. Easter. Score. 7 pages. Estes Music Publishers #20214...
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Organ - Level 5 - SKU: A0.792884 Composed by J. Richard Dixon. Arranged by Estes Music Publishers. Easter. Score. 7 pages. Estes Music Publishers #2021459. Published by Estes Music Publishers (A0.792884). Into Joy combines the Easter tunes Christ the Lord is Risen Today and Come, Ye Faithful, Raise the Strain and takes them through a series of melodic variations making wide use of dissonances. Knowing that every instrument is different, registrations are left to the individual organist.
$9.00 ≈
8.40€
You Have Turned My Sadness Into Joy
You Have Turned My Sadness Into Joy
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Pat Holmberg
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You Have Turned My Sadness Int
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Patricia Tanttila Holmberg
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 4 - SKU: A0.852620 Composed by Pat Holmberg. Christian,Contemporary. Score and parts. 8 pages. Patricia Tanttil...
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Small Ensemble Flute,Piano,Voice - Level 4 - SKU: A0.852620 Composed by Pat Holmberg. Christian,Contemporary. Score and parts. 8 pages. Patricia Tanttila Holmberg #4767459. Published by Patricia Tanttila Holmberg (A0.852620). This is a duet between soprano and alto voices, with piano and flute accompaniment. The text is from assorted scriptures -
$6.95 ≈
6.48€
Into Joy From Sadness
Into Joy From Sadness
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Choral
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INTERMEDIATE/ADVANCED
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Sacred music
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J
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Into Joy From Sadness
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Estes Music Publishers
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SheetMusicPlus
Arranged by J. Richard Dixon. For Choral. Sacred, Christian. Advanced Intermediate. Octavo. Estes Music Publishers #Emp-1602. Published by Estes Music Publisher...
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Arranged by J. Richard Dixon. For Choral. Sacred, Christian. Advanced Intermediate. Octavo. Estes Music Publishers #Emp-1602. Published by Estes Music Publishers
$3.99 ≈
3.72€
English Autumn
English Autumn
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James Marshall
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English Autumn
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James Marshall Music
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SheetMusicPlus
Small Ensemble,Strings Clarinet - Level 5 - SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Musi...
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Small Ensemble,Strings Clarinet - Level 5 - SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624). English Autumn was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors: Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.
$19.99 ≈
18.65€
First Love - 1st Movement
First Love - 1st Movement
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes” from the album “Absolution”. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99 ≈
5.59€
Remembering Zayne - Piano Solo
Remembering Zayne - Piano Solo
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Piano solo
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EASY
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Contemporary
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Arthur Breur
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Remembering Zayne - Piano Solo
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Floating Home Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.913945 Composed by Arthur Breur. 20th Century,Contemporary. Score. 4 pages. Floating Home Music #3454291. Published by Fl...
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Piano Solo - Level 2 - SKU: A0.913945 Composed by Arthur Breur. 20th Century,Contemporary. Score. 4 pages. Floating Home Music #3454291. Published by Floating Home Music (A0.913945). Here is the piece Arthur Breur composed for the family and friends of Zayne Shomler, December 14, 1998 - February 8, 2016. Prior to performing the piece, he spoke to the assembled mourners with the following prepared text:It does no disservice to laugh or smile - or, yes, to cry - when remembering Zayne. He is a part of your life and always will remain so. You carry him into your future with you.Likewise, it does him no service to unjustly obsess over things that are now unchangeable. Things said that cannot be unsaid. Things done that cannot be undone. Things not done that you feel you should have done. It does not serve Zayne or anyone to beat yourself up over such things, because then you just carry pain and sadness into your future with you, when you could be carrying -and sharing-the joy, the love, and the lessons you learned from having Zayne in your life for the time that you did.All that you can do is what you can do now. Let those who are here now know that you love them and you are here for them. Be here for them now, and be here with them every moment you can into the future.There is a very powerful and meaningful quote by the late author, Terry Pratchett: No one is actually dead until the ripples they cause in the world die away... I personally find great hope and comfort in that saying. Do your best to make as many ripples in the world as possible-heck, make a splash! Touch as many lives as possible. Remember those who created ripples that touched your life, and to keep those ripples going for as long as it is in your power to do so.You carry Zayne into your future with you. In you. You carry him into the future by Remembering Zayne and sharing the good that he brought into your life, so that the ripples he made continue to go out and touch others through you.***As performed by the composer: https://soundcloud.com/arthurbreur/remembering-zayneApprox. 3m20sArthur Breur (BMI)https://arthurbreur.comhttps://twitter.com/arthurbreur
$5.00 ≈
4.66€
Four Dimensions for Piano
Four Dimensions for Piano
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Piano solo
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Contemporary
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setting the melodic fragment a
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Mark Wilson
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Four Dimensions for Piano
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Mark Wilson
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SheetMusicPlus
Piano Solo - SKU: A0.1033214 Composed by Mark Wilson. Contemporary. Score. 27 pages. Mark Wilson #6268685. Published by Mark Wilson (A0.1033214).
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Piano Solo - SKU: A0.1033214 Composed by Mark Wilson. Contemporary. Score. 27 pages. Mark Wilson #6268685. Published by Mark Wilson (A0.1033214). When my friend, the composer and pianist Neil Crossland, asked me to write a work for him to perform, he requested that I give the piece a distinctly Scottish flavour. Perhaps as a consequence, hailing from Scotland as I do, the resulting work is distinctly autobiographical in nature. This is a challenging piece, aimed at advanced players. The four movements reflect the preoccupations of four stages of (my) life as seen in hindsight. The word dimensions in the piece's title refers to facets of my own character. The first movement, Complications, represents the self-image of the young. The music is adventurous and academic, full of the potential of a life yet to be lived and the earnest self obsession of youth. The second movement, Romance, is the search for love, though seen through the lens of memory and therefore touched with sadness. The third, Transience, shows the uncertainties of middle age, so full of frustration and of nostalgia. This movement contains my setting of the Jacobian poem Will Ye No Come Back Again?. The last movement, Revelry, blows away the uncertainties of the third movement with the driving energy of a Scottish reel. Perhaps increasing age brings a certain perspective; what does it matter if you have more past than future? Just get up and dance and let Dr. Music sweep your cares away. The piece features a musical fragment (first heard in bar 26 of the first movement) which has been the cause of much amusement between Neil Crossland and myself over the years. Neil has been composing music since his teens but the art has only much more recently become a big part of my life. However, musical ideas have always had a tendency to come into my head and, several years ago, I decided to play these two bars to Neil. Every so often, in the years that followed, he would teasingly ask me how my new piece was coming on, knowing full well that I'd have to admit that my magnum opus was still only two bars long! By setting the melodic fragment at the heart of this composition I have finally ensured that he can tease me about it no longer. More importantly, I hope that Neil enjoys our little in-joke.The audio file for this work is beautifully performed by the work's dedicatee, Neil Crossland.
$9.99 ≈
9.32€
Divertimento For Flute Choir
Divertimento For Flute Choir
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Flute ensemble
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ADVANCED
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Tooti Flooti
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Divertimento For Flute Choir
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Geraldine
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chambe...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tune”, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
$50.00 ≈
46.64€
Life is Beautiful
Life is Beautiful
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Easy Piano
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BEGINNER
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Latin/World Music
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Easy/Beginner - Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc. ...
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Piano Solo - Easy/Beginner - Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3
Louis Landon
2016 / Landon Creative, Inc.
63 minutes
Review by Kathy Parsons
Louis Landon?s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client?s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different ?soul journey,? so the music is quite varied although it maintains a very calming and peaceful vibe throughout.
It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.
Healing Hearts 3 begins with ?Standing In the Light,? a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. ?Heart Song? is hushed, intimate and obviously very personal. ?Triumph of the Soul? starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I?ve often said that the piano is the best instrument to express the sound and feeling of rain and ?Night Rain? proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! ?Tears? is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with ?Happy Man,? a lively slice of pianistic sunshine. ?Phoenix Rising? begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! ?Healing Time? is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. ?Music Runs Through Me? flows quickly like a stream with sparkles of sunlight dancing happily on its surface. ?Balance? returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it?s the perfect closing for another great album from Louis Landon!
I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!
November 4, 2016
Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.
Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ
Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers?; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat?.
Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.
For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.
Louis Landon mission:
To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.
Reviews:
?While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.? Michaeldiamondmusic.com
"He has a gift for composition that is second to none." Zone Music Reporter
"? indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and? a diverse range of influences is more than apparent.? Keyboard Magazine
Recognition:
Louis Landon's music has had over 140 million streams on Pandora radio!
Louis Landon's music has had over 34 million streams on Spotify!
Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.
Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.
Healing Hearts 2 - Solo Piano won 2016 ?Contemporary and Modern? Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.
Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.
Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.
Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.
Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.
unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.
Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
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Balta ainava
Balta ainava
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Piano solo
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INTERMEDIATE
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Contemporary
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Peteris Vasks
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Balta ainava
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate - (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration 7 minutes. Sc...
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Piano - intermediate - (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration 7 minutes. Schott Music - Digital #Q12485. Published by Schott Music - Digital
Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.
"I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."
The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.
In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.
Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.
Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.
Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."
Christoph Schluren
Translation: John Patrick Thomas and W. Richard Rieves
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Into Joy From Sadness
